Kyōto YouMe Triennale
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Kyōto YouMe Triennale
About
Program
Support
Tickets
Kyōto YouMe Triennale
About
Program
Support
Tickets
Exhibitions / Adaptive Radiation
Institutional Exhibition· Shōsei-en Garden
Institutional Exhibition· Shōsei-en Garden
Adaptive radiation
適応放散
適応放散
適応放散
Information
Venue
Shōsei-en Garden
Dates
9 October – 18 October 2026
Hours
9:30 – 17:00 · Last entry 16:30
Admission
Ticket required
Address
Higashi-tamamizu-chō, Aino-machi Higashi-iru, Shimo-juzuya-machi-dōri, Shimogyō-ku,Kyoto, Kyoto 600-8190
Curator
Kodama Kanazawa

Miyata Sayaka: MRISM20110908, 2020, Sewing thread, installation. Photo: Kiyotoshi Takashima.
Adaptive Radiation is a group exhibition bringing together artists of a new generation whose backgrounds lie in craft and traditional technique, grounded in a spirit passed down since ancient times while boldly transforming their expression to respond to the present era.
Much like the biological phenomenon from which it takes its name — a single lineage diversifying rapidly to adapt to its environment — the exhibition assembles ten practitioners extending vigorous new branches of expression.
Together, their work renews our recognition of the power held by what has been considered peripheral, or forgotten and buried in the everyday, awakening new creativity.
Artists in this exhibition

Swans Swimming in the Lake, 2024. Photo: Takeru Koda.

Iyanaga Yuriko
b. 1991, Kanagawa
Born in Kanagawa in 1991, Iyanaga earned a master’s degree in oil painting from Kyoto City University of Arts. Her practice explores the unique textures found in digital painting. In her recent work she has turned her attention to the material presence of electronic circuit boards and monitors, incorporating them into collage-like compositions.
instagram.com/0u_3chan

gently breathe, 2025.

Uno Yu
Received an MFA in ceramics from the Graduate School of Arts, Kyoto City University of Arts, in 2022. Focusing on the fragile nature of ceramics as breakable objects, Uno’s practice proposes new perspectives on the existence of objects, the ways we engage with them, and how they are preserved.
unoyu-portfolio.studio.site

Basket for Gathering Light, 2024.

Kunimasa Satoshi
b. 1986, Osaka
Born in Osaka in 1986. Kunimasa completed an MFA in textile arts at Kyoto City University of Arts. Using industrial materials such as cable ties, he applies familiar craft and handwork techniques — including dyeing and knitting — to create sculptural works and site-specific installations.
instagram.com/kunimasasatoshi

Fire, Earth, and What We Want to Eat, 2025. Photo: Yuki Moriya.

Sakamoto Kai
b. 1997, Nagasaki
Born in Nagasaki Prefecture in 1997. Through works that engage the elemental materials and acts inherent to ceramics — clay, fire and eating — Sakamoto explores the intimate connections between matter, the body and daily life.
instagram.com/kaisakamo

Untitled.

Shinagawa Ryo
Painter based in Kyoto, working across a wide range of contexts from traditional Japanese formats to contemporary architectural spaces. Shinagawa also explores new ways of practising as an artist through open studios and artist books.
shinagawa-ryo.com

The Pine and Moonlight, 2025. Photo: discovery go inc. Sudo Kazuya.

Noda Hanga
Studio, founded 2011
Founded in 2011 in Eigenji, Higashiomi, Shiga Prefecture, the studio explores expressions that serve as boundaries connecting different fields through the traditional craft of karakami, decorative hand-printed paper.
nodahanga.com

Skein of Geese / Pots, 2022. Photo: Takeru Kuroda, CHISO Gallery

Masumoto Keiko
b. 1982, Hyogo
Born in 1982 in Hyogo. Masumoto received an MFA in ceramics from Kyoto City University of Arts and is currently based in Shigaraki, Shiga. Her practice explores vessels without function, made solely for display.
keikomasumoto.main.jp

Draft of Species’, 2019. Photo: Shinya Kigure, rin art association.

Miyazaki Keita
b. 1983, Tokyo
Born in 1983 in Tokyo and currently based in London. Using the concepts of order and illusion as key themes, Miyazaki explores social systems through discarded and obsolete objects; recent sculptures combine automotive scrap with paper.
keitamiyazaki.com

’MRISM20110908’, 2020. Photo: Kiyotoshi Takashima.

Miyata Sayaka
Working to the theme ‘Error: how acts of failure generate new values’, Miyata creates works using a distinctive sewing-machine technique that resonates with the forms and evolution of living organisms.
sayakamiyata.com

Rebirth, 2025.Photo: A Lighthouse Kanata.

Yokoyama Osamu
b. 1980, Nagano
A bamboo artist born in Nagano in 1980 and currently based in Beppu, Oita. Yokoyama has developed sculptural works characterised by intricate lines woven from split bamboo and architectural structures.
lighthouse-kanata.com
Also on during the Triennale
Liberty London 150th anniversary
Shōsei-en Garden · 9–18 October
Universal human beings
Higashi Hongan-ji, Audiovisual Hall · 10–18 October
Open-lab studio tours
Across Kyoto · 12 and 17 October
Information
Venue
Shōsei-en Garden
Dates
9 October – 18 October 2026
Hours
9:30 – 17:00 · Last entry 16:30
Closed
Admission
Ticket required
Address
Higashi-tamamizu-chō, Aino-machi Higashi-iru, Shimo-juzuya-machi-dōri, Shimogyō-ku,Kyoto, Kyoto 600-8190
Curator
Kodama Kanazawa


Miyata Sayaka: MRISM20110908, 2020, Sewing thread, installation. Photo: Kiyotoshi Takashima.
Adaptive Radiation is a group exhibition bringing together artists of a new generation whose backgrounds lie in craft and traditional technique, grounded in a spirit passed down since ancient times while boldly transforming their expression to respond to the present era.
Much like the biological phenomenon from which it takes its name — a single lineage diversifying rapidly to adapt to its environment — the exhibition assembles ten practitioners extending vigorous new branches of expression.
Together, their work renews our recognition of the power held by what has been considered peripheral, or forgotten and buried in the everyday, awakening new creativity.
Adaptive Radiation is a group exhibition bringing together artists of a new generation whose backgrounds lie in craft and traditional technique, grounded in a spirit passed down since ancient times while boldly transforming their expression to respond to the present era.
Much like the biological phenomenon from which it takes its name — a single lineage diversifying rapidly to adapt to its environment — the exhibition assembles ten practitioners extending vigorous new branches of expression.
Together, their work renews our recognition of the power held by what has been considered peripheral, or forgotten and buried in the everyday, awakening new creativity.
read more
Artists in this exhibition


Swans Swimming in the Lake, 2024. Photo: Takeru Koda.

Iyanaga Yuriko
b. 1991, Kanagawa
Born in Kanagawa in 1991, Iyanaga earned a master’s degree in oil painting from Kyoto City University of Arts. Her practice explores the unique textures found in digital painting. In her recent work she has turned her attention to the material presence of electronic circuit boards and monitors, incorporating them into collage-like compositions.
Biography
instagram.com/0u_3chan

Swans Swimming in the Lake, 2024. Photo: Takeru Koda.

Iyanaga Yuriko
b. 1991, Kanagawa
Born in Kanagawa in 1991, Iyanaga earned a master’s degree in oil painting from Kyoto City University of Arts. Her practice explores the unique textures found in digital painting. In her recent work she has turned her attention to the material presence of electronic circuit boards and monitors, incorporating them into collage-like compositions.
Biography
instagram.com/0u_3chan


gently breathe, 2025.

Uno Yu
Received an MFA in ceramics from the Graduate School of Arts, Kyoto City University of Arts, in 2022. Focusing on the fragile nature of ceramics as breakable objects, Uno’s practice proposes new perspectives on the existence of objects, the ways we engage with them, and how they are preserved.
Biography
unoyu-portfolio.studio.site

gently breathe, 2025.

Uno Yu
Received an MFA in ceramics from the Graduate School of Arts, Kyoto City University of Arts, in 2022. Focusing on the fragile nature of ceramics as breakable objects, Uno’s practice proposes new perspectives on the existence of objects, the ways we engage with them, and how they are preserved.
Biography
unoyu-portfolio.studio.site


Basket for Gathering Light, 2024.

Kunimasa Satoshi
b. 1986, Osaka
Born in Osaka in 1986. Kunimasa completed an MFA in textile arts at Kyoto City University of Arts. Using industrial materials such as cable ties, he applies familiar craft and handwork techniques — including dyeing and knitting — to create sculptural works and site-specific installations.
Biography
instagram.com/kunimasasatoshi

Basket for Gathering Light, 2024.

Kunimasa Satoshi
b. 1986, Osaka
Born in Osaka in 1986. Kunimasa completed an MFA in textile arts at Kyoto City University of Arts. Using industrial materials such as cable ties, he applies familiar craft and handwork techniques — including dyeing and knitting — to create sculptural works and site-specific installations.
Biography
instagram.com/kunimasasatoshi


Fire, Earth, and What We Want to Eat, 2025. Photo: Yuki Moriya.

Sakamoto Kai
b. 1997, Nagasaki
Born in Nagasaki Prefecture in 1997. Through works that engage the elemental materials and acts inherent to ceramics — clay, fire and eating — Sakamoto explores the intimate connections between matter, the body and daily life.
Biography
instagram.com/kaisakamo

Fire, Earth, and What We Want to Eat, 2025. Photo: Yuki Moriya.

Sakamoto Kai
b. 1997, Nagasaki
Born in Nagasaki Prefecture in 1997. Through works that engage the elemental materials and acts inherent to ceramics — clay, fire and eating — Sakamoto explores the intimate connections between matter, the body and daily life.
Biography
instagram.com/kaisakamo


Untitled.

Shinagawa Ryo
Painter based in Kyoto, working across a wide range of contexts from traditional Japanese formats to contemporary architectural spaces. Shinagawa also explores new ways of practising as an artist through open studios and artist books.
Biography
shinagawa-ryo.com

Untitled.

Shinagawa Ryo
Painter based in Kyoto, working across a wide range of contexts from traditional Japanese formats to contemporary architectural spaces. Shinagawa also explores new ways of practising as an artist through open studios and artist books.
Biography
shinagawa-ryo.com


The Pine and Moonlight, 2025. Photo: discovery go inc. Sudo Kazuya.

Noda Hanga
Studio, founded 2011
Founded in 2011 in Eigenji, Higashiomi, Shiga Prefecture, the studio explores expressions that serve as boundaries connecting different fields through the traditional craft of karakami, decorative hand-printed paper.
Biography
nodahanga.com

The Pine and Moonlight, 2025. Photo: discovery go inc. Sudo Kazuya.

Noda Hanga
Studio, founded 2011
Founded in 2011 in Eigenji, Higashiomi, Shiga Prefecture, the studio explores expressions that serve as boundaries connecting different fields through the traditional craft of karakami, decorative hand-printed paper.
Biography
nodahanga.com


Skein of Geese / Pots, 2022. Photo: Takeru Kuroda, CHISO Gallery

Masumoto Keiko
b. 1982, Hyogo
Born in 1982 in Hyogo. Masumoto received an MFA in ceramics from Kyoto City University of Arts and is currently based in Shigaraki, Shiga. Her practice explores vessels without function, made solely for display.
Biography
keikomasumoto.main.jp

Skein of Geese / Pots, 2022. Photo: Takeru Kuroda, CHISO Gallery

Masumoto Keiko
b. 1982, Hyogo
Born in 1982 in Hyogo. Masumoto received an MFA in ceramics from Kyoto City University of Arts and is currently based in Shigaraki, Shiga. Her practice explores vessels without function, made solely for display.
Biography
keikomasumoto.main.jp


Draft of Species’, 2019. Photo: Shinya Kigure, rin art association.

Miyazaki Keita
b. 1983, Tokyo
Born in 1983 in Tokyo and currently based in London. Using the concepts of order and illusion as key themes, Miyazaki explores social systems through discarded and obsolete objects; recent sculptures combine automotive scrap with paper.
Biography
keitamiyazaki.com

Draft of Species’, 2019. Photo: Shinya Kigure, rin art association.

Miyazaki Keita
b. 1983, Tokyo
Born in 1983 in Tokyo and currently based in London. Using the concepts of order and illusion as key themes, Miyazaki explores social systems through discarded and obsolete objects; recent sculptures combine automotive scrap with paper.
Biography
keitamiyazaki.com


’MRISM20110908’, 2020. Photo: Kiyotoshi Takashima.

Miyata Sayaka
Working to the theme ‘Error: how acts of failure generate new values’, Miyata creates works using a distinctive sewing-machine technique that resonates with the forms and evolution of living organisms.
Biography
sayakamiyata.com

’MRISM20110908’, 2020. Photo: Kiyotoshi Takashima.

Miyata Sayaka
Working to the theme ‘Error: how acts of failure generate new values’, Miyata creates works using a distinctive sewing-machine technique that resonates with the forms and evolution of living organisms.
Biography
sayakamiyata.com


Rebirth, 2025.Photo: A Lighthouse Kanata.

Yokoyama Osamu
b. 1980, Nagano
A bamboo artist born in Nagano in 1980 and currently based in Beppu, Oita. Yokoyama has developed sculptural works characterised by intricate lines woven from split bamboo and architectural structures.
Biography
lighthouse-kanata.com

Rebirth, 2025.Photo: A Lighthouse Kanata.

Yokoyama Osamu
b. 1980, Nagano
A bamboo artist born in Nagano in 1980 and currently based in Beppu, Oita. Yokoyama has developed sculptural works characterised by intricate lines woven from split bamboo and architectural structures.
Biography
lighthouse-kanata.com
Also on during the Triennale
Liberty London 150th anniversary
Shōsei-en Garden · 9–18 October
Universal human beings
Higashi Hongan-ji, Audiovisual Hall · 10–18 October
Open-lab studio tours
Across Kyoto · 12 and 17 October
kyoto-youme.com
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