EN

Insitutional Exhibition

Shosei-en

Shōsei-en is the detached garden of Higashi Honganji, kept for generations as a place for poetry, tea and Noh, and designated a national Place of Scenic Beauty in 1936 as a temple garden steeped in literati taste. For the Kyōto YouMe Triennale, the Manifesto exhibition opens at the Great Entrance, Adaptive Radiation occupies Rōfūtei, and the I Am. We Are. Liberty exhibition unfolds across Rinchitei, Tekisuiken and the garden itself. Where art, craft and design are laid over rooms three and a half centuries in the making, the question of what it means to create is asked again.

Edition Manifesto Exhibition

Adaptive Radiation(適応放散)

I Am. We Are. Liberty

Edition Manifesto Exhibition

Curators: Harry Pearce, Alessandro Biamonti

Art Direction: Pentagram

Exhibition Design: LABIRINT — Design Dept., Politecnico di Milano

The Edition Manifesto Exhibition is the point of departure for the Kyōto YouMe Triennale. It sets out the framework of the MANIFESTO Edition, placing art, craft and design side by side as interconnected forms of creativity. Opening a dialogue between tradition and innovation, and between local knowledge and global perspectives, the exhibition proposes making not as a means of production, but as a universal human practice — one that generates meaning, relationships and new ways of seeing.

Adaptive Radiation

Curator: Kodama Kanazawa

Exhibition Design: Code~a~Machine

Adaptive Radiation (適応放散) is a group exhibition bringing together artists of a new generation whose backgrounds lie in craft and traditional technique, grounded in a spirit passed down since ancient times while boldly transforming their expression to respond to the present era. Much like the biological phenomenon from which it takes its name - a single lineage diversifying rapidly to adapt to its environment - the exhibition assembles ten practitioners extending vigorous new branches of expression.Together, their work renews our recognition of the power held by what has been considered peripheral, or forgotten and buried in the everyday, awakening new creativity.

I Am. We Are. Liberty

Curator: Ester Coen

Co-Curator: Silvia Spagnol

Created to celebrate Liberty’s 150th anniversary, I Am. We Are. Liberty has travelled from London to Osaka and will now arrive in Kyoto within the unique surroundings of Shōsei-en Garden. The exhibition explores the DNA of the British brand, revealing how Liberty’s archive remains a living source of inspiration that continues to evolve through time, place, and the people who have shaped its legacy.

Liberty’s deep connection with Japan dates back to its origins and reflects a shared appreciation for craftsmanship, creativity, and design. Extending this dialogue between London and Kyoto, the exhibition will also showcase products developed through collaborations between Liberty and Kyoto artisans, exploring new possibilities for future product design through the meeting of heritage and innovation.

Insitutional Exhibition

Shosei-en

Shōsei-en is the detached garden of Higashi Honganji, kept for generations as a place for poetry, tea and Noh, and designated a national Place of Scenic Beauty in 1936 as a temple garden steeped in literati taste. For the Kyōto YouMe Triennale, the Manifesto exhibition opens at the Great Entrance, Adaptive Radiation occupies Rōfūtei, and the I Am. We Are. Liberty exhibition unfolds across Rinchitei, Tekisuiken and the garden itself. Where art, craft and design are laid over rooms three and a half centuries in the making, the question of what it means to create is asked again.

Edition Manifesto Exhibition

Adaptive Radiation(適応放散)

I Am. We Are. Liberty

Edition Manifesto Exhibition

Curators: Harry Pearce, Alessandro Biamonti

Art Direction: Pentagram

Exhibition Design: LABIRINT — Design Dept., Politecnico di Milano

The Edition Manifesto Exhibition is the point of departure for the Kyōto YouMe Triennale. It sets out the framework of the MANIFESTO Edition, placing art, craft and design side by side as interconnected forms of creativity. Opening a dialogue between tradition and innovation, and between local knowledge and global perspectives, the exhibition proposes making not as a means of production, but as a universal human practice — one that generates meaning, relationships and new ways of seeing.

Adaptive Radiation

Curator: Kodama Kanazawa

Exhibition Design: Code~a~Machine

Adaptive Radiation (適応放散) is a group exhibition bringing together artists of a new generation whose backgrounds lie in craft and traditional technique, grounded in a spirit passed down since ancient times while boldly transforming their expression to respond to the present era. Much like the biological phenomenon from which it takes its name - a single lineage diversifying rapidly to adapt to its environment - the exhibition assembles ten practitioners extending vigorous new branches of expression.Together, their work renews our recognition of the power held by what has been considered peripheral, or forgotten and buried in the everyday, awakening new creativity.

I Am. We Are. Liberty

Curator: Ester Coen

Co-Curator: Silvia Spagnol

Created to celebrate Liberty’s 150th anniversary, I Am. We Are. Liberty has travelled from London to Osaka and will now arrive in Kyoto within the unique surroundings of Shōsei-en Garden. The exhibition explores the DNA of the British brand, revealing how Liberty’s archive remains a living source of inspiration that continues to evolve through time, place, and the people who have shaped its legacy.

Liberty’s deep connection with Japan dates back to its origins and reflects a shared appreciation for craftsmanship, creativity, and design. Extending this dialogue between London and Kyoto, the exhibition will also showcase products developed through collaborations between Liberty and Kyoto artisans, exploring new possibilities for future product design through the meeting of heritage and innovation.

Cultural Exhibition

Jūshin Kaikan

Completed in 1930, Jushin Kaikan served first as an office for the Shinshū Ōtani-ha foundation and later as a dormitory for Otani University. For the Kyōto YouMe Triennale, the Cultural Exhibition fills the building floor by floor. In the basement, Project Blue traces the history of a blue that begins in the mountains of Afghanistan. On the ground floor, Harry Pearce's All Our Blood puts a question to the world in work made from the artist's own blood. On the first floor, Le Mani Pensano brings together four Italian artists on the passage of making from thought to action to language. On the second, Design As Memory, by artists from Qatar and the United Arab Emirates, reconsiders design as a record of culture, alongside THE FUTURE IS HANDMADE from India, which looks to the future of work made by hand. To make is at times to answer the conditions of a society, at times to object to them, and to propose a better world. Here, in this place, we think together about drawing a future and giving it new meaning.

The Future Is Handmade - India

Design As Memory - Qatar

Le Mani Pensano (Thinking Hands) - Italy

Project Blue - Afghanistan

The Future Is Handmade
India

Curator: Esha Gupta

Coordination: DESIGN PATAKI

In India, making has always been a way of life: for centuries, textiles, objects, architecture and craft have been shaped by the human hand, carrying forward generations of knowledge and creativity. The Future Is Handmade brings together Indian practices that combine experimentation, material exploration and craftsmanship to create work that is at once deeply personal and globally relevant. Moving fluidly between art, design and technology, the exhibition envisions a future defined not by speed or scale, but by intention, originality and the enduring value of human creativity.

Design As Memory
Qatar

Curator: Shaikha Al Sulaiti 

Design as Memory is grounded in a design methodology that reframes every building, object and textile as an active, enduring form of cultural documentation – encoding the social conditions, technological habits and inner values of a society at a specific point in time. Through this curated exhibition, four regional artists and designers translate inherited heritage, architectural motifs and localised stories into contemporary, immersive design. From hand-woven pixel textiles to geometry-driven collectible objects, their work ensures that the region's cultural soul is intentionally recorded and preserved for generations to come.

Le Mani Pensano (Thinking Hands)
Italy

Curator: Maria Vittoria Baravelli

Coordination: De-Tales

Thinking hands. Italy between gesture, matter, nature and memory presents four voices of contemporary Italian art. The exhibition brings different works and processes into dialogue, in which gesture- meticulous or spontaneous, repeated or sudden – becomes a tool for transforming thought into form. Through practices that demand concentration and presence, the artists explore making as a space of relationship between matter, nature and memory: not merely the production of objects, but a way of entering into contact with what precedes and runs through human experience. Gesture thus takes on an almost ritual dimension, in which thought translates into action and action becomes language.

All Our Blood
UK

Artist: Harry Pearce

Music: Peter Gabriel

Film: Richard Foster

Exhibition Design: Pentagram

“This installation is made of my blood. Blood is vital to us all. What is done to one, in the end is done to us all. We are all infinitely interconnected.”

Harry Pearce

Project Blue
Afghanistan

Photographer: Simon Buxton

Sponsor: Giardino dei Numeri

CEO: Helene Fuchs

Co-Founder: Bella Pollen

Field Operations: Ben Timberlake

Coordination: Andrea Petochi

Project Blue uses the power of art to fund heritage projects in Afghanistan. The first true blue – ultramarine – was discovered in the mountains of northern Afghanistan, mined from lapislazuli, and carried through history by Sumerians, Egyptians, and Renaissance painters. Photographer Simon Buxton travelled with Project Blue to the remote lapis mine in the high mountains of Badakhshan in September 2025. A selection of his photographs will be shown at YouMe.

Stay connected

Updates on programme, artists, and tickets.

Kyōto YouMe Triennale

Art Design Craft

October 2026, Kyoto Japan

© 2026 Kyōto YouMe Triennale

Stay connected

Updates on programme, artists, and tickets.

Kyōto YouMe Triennale

Art Design Craft

October 2026, Kyoto Japan

© 2026 Kyōto YouMe Triennale

Stay connected

Updates on programme, artists, and tickets.

Kyōto YouMe Triennale

Art Design Craft

October 2026, Kyoto Japan

© 2026 Kyōto YouMe Triennale